1. |
Home Somewhere
06:03
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2. |
Drive
04:15
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3. |
29
05:17
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4. |
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5. |
The Way Day Collapses
05:28
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6. |
Summit
04:27
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7. |
Alone With People
05:22
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8. |
Wide Asleep
03:25
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9. |
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10. |
We Should Be Here
06:13
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11. |
Roofbeam
07:08
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Threefifty Brooklyn, New York
Threefifty has been called a post-rock band before, but that seems too plain – labeling the eclecticism of Threefifty’s sound requires something that gets more obnoxiously specific – perhaps post-minimalist-baroque-folk-rock. As Spinal Tap as that amalgam may sound, Threefifty has gotten their hands on something that rings authentic despite the fact that it’s never really been heard before. ... more
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supported by 7 fans who also own “Collapses”
When I listen to this album, it generates a serenity and peace within that I just don't seem to find anywhere else. Thank you so much for your music guys, you give us so much more than you know.
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supported by 7 fans who also own “Collapses”
Just gave the vinyl a spin and I just wanted to thank the powers that be for pressing this release. It’s beautiful and an absolute classic, start to finish. My most played release on Spotify for the last handful of years, and now I have it in my physical collection. 💚
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Marked For Death
by Emma Ruth Rundle
supported by 7 fans who also own “Collapses”
Emma Ruth Rundle has created incredible music since, but I think this stands as her most intense and impressive solo work.
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Suddenly Everyone Explodes
by Plastic Mermaids
The British band awe with shapeshifting, psychedelic love songs, weighing sensory overload against luxuriant romance.
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Knotty post-rock from Corde that flirts with ambient and electronic music, layering strings atop glitchy electronics.
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With unbridled spirits, sharp minds, and grungy post-rock hooks for days, the UK band expand upon their atmospheric, heavy sound.
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